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No. 32 - CYON
guardian who watches the threshold between land and sea
A framed work on paper from Saltwater Mythologies - Hand-Finished Works on Paper begin as archival pigment prints and are individually developed by hand using layers of wax, oils, pastels, pigments, and other surface treatments.
No two are exactly alike. Colors, textures, and finishes evolve during the process, creating subtle variations that make each piece unique. The resulting works possess a softer, more luminous presence and a depth that cannot be achieved through printing alone.
Archival pigment print on Canson Infinity Etching Rag, presented under plexiglass in a Larson-Juhl Jasper frame.
.
frame 27 × 33
No. 32 - CYON
guardian who watches the threshold between land and sea
A framed work on paper from Saltwater Mythologies - Hand-Finished Works on Paper begin as archival pigment prints and are individually developed by hand using layers of wax, oils, pastels, pigments, and other surface treatments.
No two are exactly alike. Colors, textures, and finishes evolve during the process, creating subtle variations that make each piece unique. The resulting works possess a softer, more luminous presence and a depth that cannot be achieved through printing alone.
Archival pigment print on Canson Infinity Etching Rag, presented under plexiglass in a Larson-Juhl Jasper frame.
.
frame 27 × 33
